Category Archives: General Musings

Whatever doesn’t fit into one of the other categories.

Motivating and Nurturing Students

I am always inspired when I see good teachers and coaches that understand and respect the interdependent nature of their relationship with their charges. Those that inspire and motivate while demonstrating a healthy respect for the challenges of daily life faced by their students, and their basic humanity always make me want to be a better instructor. In that vein I offer the following video:

Then again these guys are from Wall Street, so…

4/28 VA Class: Get up For the Down Strike

One of our VA students exploring the utility of the elbows at close range to strike upwards and/or cover, then strike downwards into the throat or clavicles on the return. The collar tie can come out of the strike or cover, or from the other arm, and gives her the ability to create a force couple between elbow and target.

4/21 VA class: Fun With Shoulder Locks

Last Saturday’s class featured an introduction to kneeling shoulder locks. After class, I was going through some of the pictures taken for review purposes, and noticed this uncanny (but unintentional) resemblance to Michelangelo’s “Creation of Adam.” During semi-open randori, both students threw their partner in the same direction, and applied the lock at the same time, resulting in the visual pun. Next weekend, we’ll try for da Vinci’s “Vitruvian Man” out of juji gatame.

Tiger vs. Chicken

One of those random internet finds that really spoke to me:

 

A Brief Discussion on the Relativity of Skills

Ed. Note: while the examples used in the piece below relate to punching and recreational/athletic MA training, the concepts can easily be applied to all other fighting skills and situations in which they might be used.

How many ways are there to skin a cat? Or in this case, throw a punch? Among both novice and experts (and “experts”), it can seem as if there is a “right” way to perform a fighting skill, yet variations are to be found from style to style,  from individual to individual, and even from moment to moment within the same encounter. The Q & A below came out of a discussion with martial artist and CSCS Daniel Ramos (fellow ATSU Human Movement Science alum).

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‘Nuff Said.

This simply  has to be shared (hat tip to Brett over at the kyokushinblog):

Development of Expertise in the Fighting Arts- Some Basic Notes

 What constitutes an “expert” in a fighting art or practice? Approaching the question from a motor learning perspective is highly useful, and has many obvious inroads into discussing pedagogy, practicality and transferability of a training method to a performance setting.Experts in any physical activity exhibit several common characteristics, regardless of the nature of the activity:
1. Superior ability to anticipate the likely outcome of a situation as it emerges. This is distinct from a conscious effort to guess what will happen, which we see in relative novices. Instead, this is more efficient perception-action linking. It manifests as shorter reaction time, with reaction time being the interval between stimulus and initiation of movement. RT is a reflection of the cognitive processing going on between perceptual and motor regions before a physical response is initiated. Combined with more efficient motor programs for the movement time, the result is a faster overall response time (RT and MT combined).
2. Less visual search for the important aspects of a developing situation. A relative novice looks everywhere, whereas the expert looks immediately at the salient areas (a shoulder movement before a punch, a slight drop of the forearm towards the belt line, etc.)
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Paying Respects to Joe Frazier

Boxing legend Joe Frazier passed last night. Boxing fans will remember his devastating left hook and uncanny bobbing and weaving skills,  and the trio of  grueling, legendary fights with Muhammad Ali.

What better way to remember him than by watching some highlights of his first (1971) fight with Ali, in which he gained the heavyweight title and delivered his opponent’s first professional loss:

Video Link: MMA Fighters Experience Marine MA Training

A point that has been made in many of our posts is that the skills of competitive fighters are task-specific. Highly skilled competitive and professional fighters are not necessarily more prepared for violence outside of matches and duel setups. As I noted in a previous post,

A competitive fighter knows when and where his or her next “fight” will occur, and by virtue of the rules of a competition, has the advantage of knowing exactly what techniques and methods an opponent may use, and which ones they will not use. The student seeking to survive a violent assault does not know any of this until it is happening.

In the video below (thanks to tgace), Dana White and several UFC fighters visit a Marine Corps training location and experience first hand how different engagements with weapons and multiple adversaries are from pre-arranged, rule bound professional fighting. MMA has it’s place but as we can see, training for one environment does not transfer to other environments.

Evidence Based Practice in the Fighting Arts: Appraisal and Suggestions

The practice of martial arts has come to be diverse in terms of the wide range of  arts and schools available and in terms of the population that is involved. Physical fitness and talent may only be required to a small degree, or they may be paramount to success. Students may be dedicated about conditioning, or they may be “weekend-warriors” whose primary physical activity is a class.  An instructor may be qualified in a technical realm but not be a good source of information in others, such as the nature of violence. The need for Evidence Based Practice (EBP) is just as high as in any other vigorous physical activity, yet appeals to tradition, history and authority and “experts” often lead students and practitioners to accept dubious information or ignore new information, which can have consequences on a number of levels. For this discussion, the practice of the various martial arts can be divided into two realms: non-competitive recreational (i.e., oriented at self defense, fitness, cultural pursuit, etc.) and competitive (amateur or professional competition). Most of this discussion will focus on the recreational realm.

What is EBP?

Briefly, evidence-based practice can be seen as a tool for:

  • finding evidence to support decision making and for analyzing the quality of the available evidence
  • distinguishing low quality sources of qualitative and quantitative information from high quality sources
  • promoting critical thinking and synthesis of the literature
  • recognizing that best evidence may change over time

Evidence-based practice is a key feature in modern medical education. In the above diagram of EBP components, it doesn’t take much effort to exchange “patient” for student and “clinical expertise” for instructional expertise

It’s also important to recognize what EBP is not:

  • A cookbook approach to training and decision making
  • Not based solely on hard evidence- empirical experience, intuition and active experimentation have a role. EBP considers personal experience, judgment, values, etc. alongside information from objective, quality sources.
  • Not restricted to RCT’s and meta-analyses

Failures of EBP in the Fighting Arts

An extreme example of a lack of critical thinking and evidence-based practice can be found in  the cult of personality that has developed around Ueshiba Morihei, founder of the Japanese art of Aikido.

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Random Training Notes 15: Timing is Everything, Except for When it Ain’t

When martial artists refer to “timing”, they are usually discussing anticipatory skills. Anticipation is the ability to predict outcomes of an action (largely external, for our purposes), plan an appropriate response, and initiate it with the correct timing relative to the external action. Numerous studies have shown that superior anticipation timing is indeed what sets expert practitioners apart from novice practitioners in a given activity. The person who can successfully anticipate the outcome of an opponent’s actions before they are completed, and then formulate and initiate a plan of their own response with the appropriate timing will be able to effectively counter an attack. But the important distinction in quoting this information is the context in which it is applicable. Two people facing each other for a match or duel-type fight have the following advantages:

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Link: Athletic Body Diversity Photo Reference

If you spend any time looking at ads for  gyms, fitness fads/gadgets,  or catalogs, you’ll notice a cookie-cutter image that repeats itself over and over: rippling abs, cut groins, peaked biceps, etc.  Many martial arts supply catalogs, advertisements and media persist with the stereotypes described above.   Yet fighting arts are obviously high-demand activities, and the fitness required varies for different levels of participation (hobby, competition) as well as different focuses (wrestling, boxing). The fact is that the demands of a fighter’s activities will dictate how he or she trains, and those two factors will dictate how his or her body adapts in response (along with genetic and morphological factors). So what does the appropriately fit fighting artist look like? Hint: probably not the same as fitness models or body builders.

I stumbled across a very interesting photo collage over on the excellent Stumptuous.com. The photos show various Olympic athletes alongside each other for comparison. For our purposes, notice the contrasts between wrestlers, judoka and boxers.

Athletic body diversity reference for artists

Stumptuous

Smells Like Sensei Spirit to Me

Bow Down to the Yoga Teacher

Interesting little article on the pretentiousness and sanctimonious affectations of some yoga teachers. Draw what parallels you will to martial arts.

Marco, the tattooed instructor at the front of the room, is all charisma. He stalks; he pounces; he perches on my back as he corrects my Janu Sirsasana pose (otherwise known as a forward bend). “If you tell it to me from your mind, I’m not interested,” he announces, to begin the class. “That’s just drama. I’ve got my own drama.”

Read the rest here.

'TKRI' Is Now The 'Fight Sciences Research Institute'

Readers may have noticed that our focus has evolved over the last couple of years. Initially most of our content was related to karate and other closely related topics. As time has gone by our focus has broadened to include information on a variety of fight training related topics. This has been reflective of our training and interests as an organization as well.

In order to more accurately represent our focus and practice we are changing our name from ‘The Karate Research Institute’ to the ‘Fight Sciences Research Institute’.  It will take us a while to change everything over, but we have now begun. For the time being we will keep the name of this blog the same. Wish us luck on this new chapter in our development.

Who's This Stuff For?

It is always a good exercise to take account of our motivations as karate teachers and practitioners. Why do we continue on, year after year, teaching and practicing karate? Yes there are a lot of easy, canned answers: cultivation of character, preserving the traditions of the past, to learn to be able to defend oneself, to confront our responses to violence, force of habit. I am sure I am leaving many out.

I don’t think most people scrutinize this carefully. For a variety of reasons, answering this requires us to consider who makes up the community of people to whom we are responsible towards. When the answer is ambiguous it becomes nearly impossible to understand the extent of our responsibilities, and thus what it is we should be doing. The ‘why’ question becomes easier to address when we are clear about what we are doing, and equally important, about what we are not/ should not be doing.

There are those who regard themselves as hard-core ‘traditionalists’ for whom preserving tradition seems to be the ultimate objective. To these people the most important obligation is to ones predecessors in these arts. Of course it is useful and proper to give credit where it is due. We have an obligation to make sure our historical claims are accurate, but that seems like the extent of our obligation to the dead.

Many times in the thirty-plus years I have been involved with martial arts, I have seen abusive and insensitive behavior justified by appeals to tradition.

As a younger black-belt level instructor, I remember struggling with ethical dilemmas that should not have been complicated, however, my judgment was clouded by the imagined relevance of some mumbo jumbo associated with tradition.

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News Article: MMA Fan Joseph Lozito Subdues NYC Knife Murderer

The New York Daily News brings us the account of the guy who took out a knife wielding sociopath in NYC.

First off, my hat is off to Joseph Lozito for having the awareness to notice an unstable individual and act before others were hurt, and for having will power to face him down. Training or none, he did what martial artists talk about doing but often lose sight of when  discussing how they think it ought to be done.

Some take away points:

  • ‘Thanks to his many hours of watching mixed martial arts on television, Lozito says he “took him down” with a single leg sweep.”I wouldn’t win any style points for taking him down, but it did the job,” he said.’ (emphasis mine)

 

  • “Gelman reached under his jacket, pulled out an 8-inch Wusthof chef’s knife and began slashing. “I was trying to get control of his wrist. I didn’t really feel anything...” (emphasis mine)
  • “He was rushed to Bellevue Hospital, where doctors closed a 4-inch gash on the back of his head, an 8-inch wound behind his right ear, two 3-inch slashes on his left arm, a cut under his eye and two deep cuts to his thumb.’


The fact that he decided on what to do based on watching MMA on tv is fascinating. The fact that he is 6-foot-2, 270 and responded proactively definitely worked to his advantage. While I do not think that this situation is telling us that watching MMA on TV is a good substitute for actual training, it is highly useful for us to consider whether or not training is more important than the will to act as a threat is perceived.

Linked Video: Manny Pacquiao Training on the Bag

Absolutely beautiful- accurate, fluid,  fast, changing ranges and targets and in control of the bag the whole time. This is a guy who knows what he wants to do and has invested the time into getting there. We’re not all pro boxers but that’s no reason not to approach bag work with the same intent:

Random Training Notes 12

 

Find a psychology text book and look up the phrase “confirmation bias.” Be on the lookout for this tendency in every aspect of your training, especially if you think it can’t possibly relate to you or some enshrined martial art.

Random Training Notes 11

Striking is the act of fitting a weapon to a target. Availability of targets may change very quickly, availability of weapons may change very quickly.  Learning to recognize these changes and adapt to them requires more time spent striking targets that are moving unpredictably and changing range than targets moving predictably or not moving at all. The speed and intensity of these activities should be varied to emphasize different attributes: tracking/accuracy, reaction time, fluidity, and power. Tracking, fluidity and reaction time are more important than focusing exclusively on power.  Reflection on which changes in target and range present the most difficulty is vital.

Random Training Notes 9

It’s important to keep your eyes on a partner or opponent as you duck under a strike (see RTN 2 for more on ducking). If you bend too far forward at the waist and round the back, eye contact is lost, peripheral vision is diminished and the head is at greater exposure to being kneed from below or struck from above.  A rounded back also inhibits the gluteal muscles, which are vital for driving forwards or stabilizing against pressure from the front.  Keeping the eyes up means that the back will be closer to 45 degrees, and slightly extended as opposed to rounded.

If you or a student has a hard time keeping the eyes on the other person while ducking, this is a sign of weakness/imbalance in the muscles of the neck and upper and lower back. If you notice that someone starts to bend at the waist and round the back after a few reps of a ducking exercise, have him slow down the pace and decrease reps so that he can maintain eye contact and keep the back more upright, and begin him on a program to increase the strength of the neck and back. Asking training partners to tap the back of the head when it is exposed can provide a good physical cue that the eyes are dropping. Several exercises can help to improve strength and performance in these areas:

Neck

  • Isometric neck strengthening and stabilization exercises. Standing or sitting with good posture, press your palm into your head with moderate pressure and keep the position of your head from changing. Do this against the forehead, temples, rear of the skull, under the chin and at angles.  Hold for 20-30 seconds, 1-2 sets each direction. Incorporate 3-5 days per week. Use a mirror to ensure that you are not excessively protruding or retracting the chin throughout.

Upper and Lower Back

  • Floor Cobras. Start with 3 sets of 3 repetitions 3-5 days per week.
  • Ball Cobras. As the Floor Cobras can be done with stability and control, begin incorporating 3 sets of 3 repetitions 3 days per week.
  • Back Extensions. Depending on how easy these are, incorporate 3 sets of 5-15, 3 days per week. Don’t swing- stop for a second at the top and at the bottom.
  • Pull ups. Grip an overhead bar at shoulder width or slightly wider. Contract glutes and abs, squeeze the shoulder blades together, and pull your chin to the bar. Avoid  jack knifing or bouncing to achieve the pull. If these are difficult or impossible for you, try squeezing the shoulder blades together so that your feet are lifted from the floor and hold for 20-30 seconds, or as long as you can maintain good form. As this improves, use a bench or jump up to get to chin height and hang in the top position for as long as good form can be maintained- shoot for 20 seconds. Lower yourself with as much control as possible, repeat. Start with low reps per set, increase as this improves, begin adding in full pull ups once you are capable. Some gyms have assisted pull up machines which can be helpful as well. Incorporate 3 days per week.
  • And as always, stretch the hip flexors before conditioning and class time. If these muscles are tight and dominant, they will encourage excessive forward lean at the waist.

*As with everything else described on this blog, these suggestions assume that you are in good shape and do not have any back problems that would make these exercises unsafe. If you’re not sure, consult your doctor and enlist the services of a  qualified fitness professional.