Author Archives: Randy Simpson, M.S.

More on Affordances

A major focus of mine in both Movement Science and fighting/self-protection skills training is the concept of affordances. Below is an excerpt from the book that first introduced me to the concept, which contains a great introduction to the concept as it applies to fighting skills:

“The theory was put forth in the 1960s by an unorthodox psychologist names James Jerome Gibson at Cornell University. Gibson, who died in 1979, said animals and people view their environments not in terms of objectively defined shapes and volumes but in terms of their own behavioral potential. In other words, you immediately apprehend what you see in terms of how you think you can interact with that you see. You see affordances. Affordances make possible and facilitate certain actions. So, handles afford grasping. Stairs afford stepping. Knobs afford turning. Doors afford passage. Hammers afford smashing…

Martial artists see a different set of affordances than people untrained in hand-to-hand combat. Lapels and shoulder fabric are gripping points that afford all sorts of leverage. Elbows and wrists afford a variety of locks and twists. Highly trained martial artists see these affordances directly, as inherent parts of the concept of the body, just as an accomplished pianist sees not just individual keys but whole interrelated harmonic complexes brimming with possible melodies that can be extracted from it’s wholes, not as individual finger and hand movements (Blakeslee & Blakeslee, 2007).”

Blakeslee, S., & Blakeslee, M. (2007). The Body Has a Mind of it’s Own. New York: Random House, p. 106-108.

Link: Frank Gotch’s 1908 “Wrestling and How to Train”

Follow the link for a transcript of Gotch’s classic wrestling manual, Wrestling and How to Train.

Shoulder Stabilziation for Striking: are you Focusing on the Right Muscles?

When considering upper body striking, martial artists tend to focus on the pectoral, triceps and deltoid muscle groups, and the glenohumeral (GH) joint, which is the most obvious shoulder joint. The GH joint consists of the humerus and the glenoid fossa of the scapula (the “socket” of the shoulder blade). Since this joint is essentially like a ball resting on a shallow dish, and not a deep socket like the hip joint, ligaments and the attached muscles provide most of the stability. There are also three other joints in the shoulder complex that play important roles in maintaining stability for the GH joint, with the scapulothoracic being most prone to abuse in combative training. This joint is formed by the fibrous connection of the scapula to the posterior torso wall, which allows the scapula to glide and rotate as the GH joint requires.

The serratus  anterior and the trapezius provide the ability to adduct (pull close to the ribcage), retract, depress, and upwardly or downwardly rotate the scapulae.  They maintain alignment of the glenoid fossa  with the head of the humerus.  A strong, reasonably flexible rotator cuff group is important, but the trapezius needs to be able to provide rotation and stabilization so that the GH joint stays centered and the rotator cuff isn’t impinged. The trapezius and serratus need to work synergistically with the GH joint movers. Striking in general requires the same coupling of scapular and humeral actions that has been reported for other overhand actions  (Kibler, et. al., 2007) such as the tennis serve.

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Specificity of Conditioning in Fight Activities: Basic Concepts & Application

Specificity of training is the basis on which all modern physical training rests. Briefly, to produce a desired physiological adaptation, a training program must place sufficient stress on the physiological systems in question (Willmore & Costill, 2004). In training environments this is commonly referred to as Specific Adaptations to Imposed Demands (SAID).  Adaptations to training are limited to the physiological system overloaded by the program. This includes neuromotor, morphological, hormonal and metabolic elements. Fighting activities (encompassing both combat sports and fighting/self protection scenarios) present a unique programming challenge, requiring a range of adaptations to all systems.

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4/28 VA Class: Get up For the Down Strike

One of our VA students exploring the utility of the elbows at close range to strike upwards and/or cover, then strike downwards into the throat or clavicles on the return. The collar tie can come out of the strike or cover, or from the other arm, and gives her the ability to create a force couple between elbow and target.

4/21 VA class: Fun With Shoulder Locks

Last Saturday’s class featured an introduction to kneeling shoulder locks. After class, I was going through some of the pictures taken for review purposes, and noticed this uncanny (but unintentional) resemblance to Michelangelo’s “Creation of Adam.” During semi-open randori, both students threw their partner in the same direction, and applied the lock at the same time, resulting in the visual pun. Next weekend, we’ll try for da Vinci’s “Vitruvian Man” out of juji gatame.

Video Link: 1947 “Judo Jymnastics”

One from the vaults:

Just another good reminder of two things:

-there really isn’t much new under the sun when it comes to fighting techniques and “mixed martial arts”

-although there is some camp involved in the demonstrations,  proper leverage against a joint’s weak angles can go a long way- and it’s good to have some contingencies in store if a go-to technique fails.

Coincidentally, the guy looks a lot like one of the assistants from Jack Dempsey’s 1942 combatives manual, “Fight Tough,” and I love her liberal use of the heels…

Tiger vs. Chicken

One of those random internet finds that really spoke to me:

 

FSRI Video: Throws, Pins & Escapes

The Virginia FSRI group has been learning this throw (basic hip spiral/o-goshi) and reviewing falling skills for the last few weeks. The clip shows some different semi-open randori exchanges designed to integrate it with related pin/escape skills.  Continual role switching makes it a bit more challenging and dynamic, but within an environment that’s still conducive to some experimentation (from the 4/7 VA class).

VA Snow Day

Last Sunday’s view of the backyard, complete with Jeremiah Johnson-style striking equipment:

Basic Thoracic Spine Injury Prevention for Fighting Arts & Combat Sports

The actions of fighting arts (including combatives and self-defense systems) and combat sports place regular high stresses on the spinal column. I’ve previously mentioned the anterior-posterior compressive and shear forces that affect the lumbar spine, but not the transverse rotational (torsional) and lateral compressive forces that actions like punching, kicking, throwing and falling places on the thoracic spine. Basic fighting postures, such as a standing guard or striking can encourage thoracic kyphosis and lateral asymmetry.  Left unchecked, torso actions can become plagued by dominant muscular patterns of imbalance to one side or the other, as a result of a favored limb or ingrained movement compensations due to faulty stabilization or movement system activity. Over time these muscular imbalances  can lead to vertebral facet degradation and arthritis, disk herniations and ruptures, nerve entrapment and bone spurs (typically in the direction of excessive muscular tension), all of which translate to reduced performance.

Curvature of a healthy spinal column. Note the lateral symmetry.

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A Brief Discussion on the Relativity of Skills

Ed. Note: while the examples used in the piece below relate to punching and recreational/athletic MA training, the concepts can easily be applied to all other fighting skills and situations in which they might be used.

How many ways are there to skin a cat? Or in this case, throw a punch? Among both novice and experts (and “experts”), it can seem as if there is a “right” way to perform a fighting skill, yet variations are to be found from style to style,  from individual to individual, and even from moment to moment within the same encounter. The Q & A below came out of a discussion with martial artist and CSCS Daniel Ramos (fellow ATSU Human Movement Science alum).

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‘Nuff Said.

This simply  has to be shared (hat tip to Brett over at the kyokushinblog):

Using the Overhead Squat Assessment to Identify Reductions in Punching Quality

The overhead squat assessment promoted by NASM (Clark & Lucett, 2011) provides a useful evaluation of the functional status of the latissimus dorsi during a common movement (video example here). The OHS requires that both trunk extension and shoulder flexion occur simultaneously, either or both of which may be altered if the muscle has become chronically shortened and tight. When the lats are hypertonic, shoulder range or motion (ROM) is altered due to excessive internal rotation and depression of the humerus, which further affects the actions of the scapula. This can be seen when an individual’s arms habitually fall forward past the line of the torso during the eccentric phase of the squat in an OHS evaluation, which is an indication of the arthrokinematic (joint movement) compensations needed to accommodate functional ROM as the muscle attempts to maintain a shorter distance between origin and insertion (for an excellent visual of how this occurs, take a look here).

Rear view of the latissimus dorsi. Note the broad connection to the pelvis, and the insertion on the humerus. An overactive (hypertonic) lat will cause alterations in shoulder and hip function, impairing good technique by reducing strength and mobility, while increasing the chances of an avoidable chronic injury.

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Random Training Notes 18

Regarding historical or traditional training practices:

Within physical culture, old practices or concepts aren’t necessarily good or better than modern ones just because they’ve been around awhile. There is belief in martial arts circles, especially in “traditional” groups, that something which has been passed down for decades is unquestionably valuable, or even superior to modern evidence-based understandings. A common defense is “do you think technique x would still be around it if it wasn’t battle tested?” Another is “look at practitioner x- if it worked for him, and he had no fancy research.”

The plain and unglamorous truth is that sometimes techniques or training practices got passed down simply because no one knew any better, or it fulfilled a cultural function (particularly in Confucian-influenced societies)  or because they maintained a certain personal prestige or power structure within a group. A technique may have never actually been used in a fight;  a conditioning activity may routinely cause joint damage that actually weakens a student over time, but the status of the originator serves to enshrine it. Old can be good; old is not automatically good.

Linked article: Couple badly injured after bodybuilder attack

Something for the “size is irrelevant in martial arts” crowd to chew on:

apparently (he) was under the influence of steroids and other drugs, and it took four police officers, two stun gun blasts and four sets of handcuffs to restrain him.

Steroids and “other drugs” indeed.

Read more here

Development of Expertise in the Fighting Arts- Some Basic Notes

 What constitutes an “expert” in a fighting art or practice? Approaching the question from a motor learning perspective is highly useful, and has many obvious inroads into discussing pedagogy, practicality and transferability of a training method to a performance setting.Experts in any physical activity exhibit several common characteristics, regardless of the nature of the activity:
1. Superior ability to anticipate the likely outcome of a situation as it emerges. This is distinct from a conscious effort to guess what will happen, which we see in relative novices. Instead, this is more efficient perception-action linking. It manifests as shorter reaction time, with reaction time being the interval between stimulus and initiation of movement. RT is a reflection of the cognitive processing going on between perceptual and motor regions before a physical response is initiated. Combined with more efficient motor programs for the movement time, the result is a faster overall response time (RT and MT combined).
2. Less visual search for the important aspects of a developing situation. A relative novice looks everywhere, whereas the expert looks immediately at the salient areas (a shoulder movement before a punch, a slight drop of the forearm towards the belt line, etc.)
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Paying Respects to Joe Frazier

Boxing legend Joe Frazier passed last night. Boxing fans will remember his devastating left hook and uncanny bobbing and weaving skills,  and the trio of  grueling, legendary fights with Muhammad Ali.

What better way to remember him than by watching some highlights of his first (1971) fight with Ali, in which he gained the heavyweight title and delivered his opponent’s first professional loss:

More Fun with Duct Tape: Proxy Weapons of Opportunity

In the previous post, I mentioned using padded “cell phones” and a padded bottle as simulated weapons of opportunity. These aids are very useful for rehearsing recognition and use of weapon-usable objects in the environment. Making these is pretty simple and very cheap:

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Help at the Push of a Button

This semester I agreed to teach a series of weekly self protection seminars for a women’s resource group on Ferrum College campus. Without going into too much detail here (more will follow in later posts), part of my planning for these included researching the contexts and scenarios in which violence against women tends to happen, as borne out by DOJ victimization and outcome stats and reviewing case reports. The incidence data, and conversations with friends of mine who have been victimized made it woefully clear that the “carry your keys in your hand” strategies, and “on the street/in a dark alley” conceptualizations of violence against women are pretty inadequate by themselves, because they only apply to a limited range of the situations in which a woman may find herself at risk . Since this seminar series is for college-aged women, I structured the program to explore the scenarios and types of assault that are created by social, interpersonal and predatory contexts. Continue reading